Taming the Nano Cortex: Keeping Your Signal Stereo and Dynamic
- Rich Cattell
- Oct 20
- 4 min read
Updated: 5 days ago

The Neural DSP Nano Cortex is a compact powerhouse — a modeler designed to bring studio-grade processing to a pedalboard-sized format. But like many compact amp modelers, it comes with a limitation that can frustrate stereo pedalboard users: mono input, stereo output.
If you’ve tried integrating the Nano Cortex with a stereo guitar rig that includes pedals like the Eventide H90, Strymon BigSky, or Meris LVX, you’ve probably hit this wall. Run the Nano before your stereo pedals, and you lose your spacious stereo image. Run it after, and your drive or fuzz algorithms might sound flat or unresponsive.
And the Nano Cortex isn’t the only one. Popular processors like the Line 6 HX Stomp, Fractal FM3, Boss GX-100, Headrush MX5, and Hotone Ampero II share a similar design: mono-in, stereo-out. It’s a common trade-off for compact digital modelers that want to stay pedalboard-friendly.
So how can you keep your signal stereo and dynamic without rethinking your entire rig? The answer lies in parallel routing — and that’s where the Cosmic Loop FX Parallelarator comes in.
Understanding the Mono-In / Stereo-Out Challenge
By design, the Nano Cortex — like many small form-factor modelers — processes a mono input and creates stereo output after its internal signal chain.
That means:
Any stereo effects placed before it are collapsed into mono.
Any effects placed after it may not interact naturally with its amp and drive models.
This often leaves players stuck between two compromises:
Put the modeler first and lose stereo width.
Put it last and lose dynamic feel.
It’s not a flaw — it’s just a routing limitation that comes with simplifying stereo processing in a small footprint. But there’s a smarter way to build around it.
Parallel Paths: The Secret to a Dynamic Stereo Rig
Parallel routing lets you run multiple signal paths simultaneously, each optimized for different effects. Instead of running everything in a straight line, you can split your signal into dedicated branches and blend them back together cleanly.
The Cosmic Loop FX Parallelarator was designed to do exactly that —
to let you split, blend, and balance stereo and mono effects loops without losing clarity, dynamics, or phase alignment.
Using the Parallelarator with the Nano Cortex (and Similar Modelers)
Here’s how you can use the Parallelarator to get the most out of your Nano Cortex, HX Stomp, FM3, or any other compact modeler while keeping your rig fully stereo.

Split the Dry Signal
Plug your guitar (or the output of any drive pedals) into the Parallelarator's Dry Input. It cleanly splits your dry signal, sending one path to the Nano Cortex and another to your stereo effects, such as the Eventide H90, in one of the Parallelarator’s loops.
Run Each Path Independently
Nano Cortex path: The Cortex takes a mono input but produces a stereo output. You can route both L and R outputs from the Nano Cortex back into one of the Parallelarator’s stereo returns, preserving the stereo imaging created by the unit.
Stereo effects path: Pedals like the Eventide H90, Strymon BigSky, or any other stereo processor stay fully stereo within their loop, untouched by mono summing.
Blend and Return in Stereo
The Parallelarator’s output stage lets you blend the Nano Cortex’s stereo signal with your parallel stereo effects path, maintaining a rich, dimensional tone. The final mix leaves the Parallelarator in true stereo — perfect for feeding two amps, FRFR monitors, or your recording interface.
This approach allows your amp models and drives to stay dynamic while your ambient effects retain their stereo width. No collapsing, no weird phase behavior — just a spacious, articulate sound that feels alive under your fingers.
For External Amps, Interfaces, and Live Rigs
If your setup includes external stereo amplifiers, FRFR cabinets, or an audio interface, the Parallelarator offers even more flexibility.
Its stereo outputs can send each channel directly to a separate amp or recording input.
You can fine-tune the blend and level of each path to maintain perfect gain structure and mix balance.
This keeps your rig clean and flexible — ideal for modern hybrid setups that combine analog pedals, digital processors, and amp modeling in one ecosystem.
Why Parallel Routing Matters
Today’s guitarists demand more from their rigs: analog warmth, digital precision, and stereo depth — all at once.
Parallel routing gives you exactly that:
Keep mono sources (like your modeler’s input) tight and punchy.
Keep stereo effects wide and immersive.
Avoid tone loss or phase issues from stacking too many serial effects.
With the Parallelarator, you get studio-style routing control right on your pedalboard — no patchbay, no compromise.
Final Thoughts: Making Your Rig Work for You
Whether you use a Neural DSP Nano Cortex, Line 6 HX Stomp, Fractal FM3, or any other compact digital modeler, the challenge is the same: keeping your stereo signal path clear, balanced, and expressive.
By introducing parallel signal routing with a tool like the Cosmic Loop FX Parallelarator, you can:
Split your dry signal cleanly to multiple destinations,
Mix modeler and stereo effects in parallel,
Maintain true stereo imaging throughout your chain, and
Preserve every nuance of your tone and dynamics.
The Nano Cortex gives you brains and tone. The Parallelarator gives you freedom and space. Together, they unlock the full potential of your stereo guitar rig — wide, dynamic, and truly cosmic.
Because great tone isn’t about choosing between mono and stereo — it’s about designing a signal flow that celebrates both.
Checkout the Cosmic Loop FX Parallelarator and see how it can improve your rig today!






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